Angebote zu "Gate" (2.637 Treffer)

Presonus Acp88 - Comp/lim/gate 8 Channel
1.031,00 €
Sale
979,00 € *
ggf. zzgl. Versand

Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Drawmer Mx40
778,80 €
Rabatt
549,00 € *
ggf. zzgl. Versand

The MX40 Punch Gate is a high performance, simple to use 1U four channel noise gate that offers the same extraordinary sonic character, ingenuity, and high technical specification that have made Drawmer the world standard in gating technology. The MX40 is the first low cost, truly professional gate to offer the features and performance typical of much more expensive noise gates.The MX40 is the first Drawmer product to feature proprietary ´Peak PunchTM´ circuitry which adds unique dynamic enhancement to the leading edge of percussive material, adding true ´punch´ to the performance. The MX40 also includes Drawmer´s Frequency Conscious System (first introduced with the DS201 Dual Gate), which ´tunes´ the gate to react only to a specific frequency band, dramatically improving gate operation. The MX40 packs four channels of high power Drawmer gating into a single rack space, with controls and indicators designed to make set up faster and easier.The Drawmer MX40 Punch Gate offers improved signal definition in complex mixes by isolating desired signal from unwanted background noise. It is especially important in sound reinforcement and the recording of short term sounds such as percussion. The MX40 Punch Gate Frequency Conscious System ´opens´ the gate only when a signal exceeds the threshold you set within a specific and variable frequency band. This enables the gate to distinguish between a snare and a high hat, tom-toms versus bass drum etc. Drawmer´s new Peak PunchTM circuitry further improves definition by dynamically enhancing the leading edge of transient signals immediately after gate opening, so percussive sounds ´punch´ through the mix. The controls of the MX40 are designed to reduce typical lengthy and complex gate set up. Only three rotary controls are needed per channel: ´Frequency Trigger´ sets the frequency band the gate reacts to; ´Threshold´ sets the level at which the gate opens; ´Release´ determines how long before the gate closes after falling below the set Threshold level.Push button options include Peak Punch On/Off, ´Frequency Trigger´ On/Off, -20dB or -90dB Attenuation and Gate Bypass. The industry standard Drawmer red/yellow/green ´traffic light´ LED display gives the user reliable indication of gate status. Special features include ´Key Listen´ that enables the user to hear just the trigger signal for easier set-up. If Frequency Conscious operation (Frequency Trigger On) is used, depressing Key Listen will enable the user to hear only the frequency band ´tuned´ in on the Frequency Trigger rotary control. External Key allows the gate to be opened by an external signal. The MX40 can also be set so Channel One triggers all other gate channels, and ´Slave Link´ links Channel One and Two together and/or Three and Four.Controls: -> Threshold: This rotary control sets the level at which the gate opens (or closes) and may be set anywhere between -60dB to +20dB. All signals below Threshold will be reduced by -20dB or -90dB, depending on the ´Range´ control setting. All signals above threshold will pass through the gate. -> LED Display: Drawmer´s familiar traffic light LEDs display envelope status. When the gate is closed (signal below the set Threshold level) - the red LED is illuminated. When the gate is open (signal above the set Threshold level) - the green and amber LEDs illuminate and the red LED is off. As the signal falls below the set Threshold level, the green LED will extinguish and the amber LED fades over the duration of the Release time. -> Release: The Release time may be set from 10mS to 4S. This control determines how long before the gate closes. Special logic circuits within the MX40 incorporate ´envelope hold´ constants that are variable with Release time settings. This is to prevent ´chatter´ when processing signals that decay near Threshold. -> Range: This button determines how much gain reduction is applied when the gate is fully closed. A setting of -90dB effectively silences the signal completely when the gate is closed, while the -20dB setting allows the signal to pass through the gate with a 20dB decrease in gain. -> Peak Punch: Drawmer´s proprietary Peak PunchTM circuitry adds very short term dynamic expansion to the leading edge of percussive material. Peak PunchTM has a near zero Attack time and enables gated signals to ´punch´ through a mix without increasing long term signal level. The effect is one of greater signal definition of transient information. When Peak...

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Drawmer Ds201
888,00 €
Reduziert
679,00 € *
ggf. zzgl. Versand

The DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. -> variable high pass and low pass filters for frequency conscious gating -> comprehensive envelope control, attack, hold, decay, and range -> key input for external triggering -> key listen facility -> extremely fast attack time, to preserve the natural attack of the sound -> balanced inputs and outputs -> stereo linkable -> can be used for Gating or Ducking -> high audio specificationThese features and its user friendliness have made it the industry standard throughout the world.Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.Drawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature.The very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.Another important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application.The unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.Each channel can be individually switched from Gating to Ducking for ´voice over´ applications or the removal of ´clicks´ and ´pops´.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Drawmer Ds404
1.358,40 €
Rabatt
985,00 € *
ggf. zzgl. Versand

The DS404 Quad Noise Gate has been designed to the highest specification to complement the DS201 Dual Noise Gate, acknowledged as the ´industry standard´ gate throughout the world. Recognizing that there are many general gating applications which require equipment that is simple to operate and which occupies the minimum of rack space, Drawmer have designed the DS404 Quad Noise Gate utilizing new and unique ´Programme Adaptive´ circuitry. This makes the DS404 ideally suited for use over a wide range of input signals, ranging from drums and other percussive instruments through to vocals, pianos and even complete mixes.Facilities available on the DS404 include: -> Frequency Sensitive : The provision of variable Low-Pass and High-Pass Filters allows ´without compromise´ frequency selective gating. The unit can be switched for either Internal or External Key source and the KEY LISTEN facility enables monitoring of the filter setting. -> Hard/Soft Gating : Each channel of the DS404 can be operated as a HARD or SOFT gate, providing quite different characteristics. Two coloured LEDs clearly indicate mode status. In the HARD mode the DS404 offers ultra-fast response time, stable triggering with complete freedom from chatter around threshold and a specialized release contour which is ideally suited to drums and other percussive material. In the SOFT mode the DS404 becomes a versatile Expander capable of handling vocals and sub mixes. Drawmer´s unique ´Programme Adaptive´ circuitry is used to optimise the attack time and ratio as well has having some effect on the manual release setting . A more gentle release characteristic is utilized to complement the SOFT gate. -> Threshold : A fully variable threshold control provides a range from +20dB to -70dB. -> Release Control : A fully variable release control is provided with release times from 10 ms to 5 sec to ensure that essential envelope control is not sacrificed in exchange for an economy in rack space. -> Attenuation Range : The DS404 has switchable attenuation between 90dB and 20dB to allow for applications where a complete mute is not desired. -> Chain Linking : Operating the LINK control switches the channel on the right to SLAVE operation, where its gating mode, threshold and envelope characteristics are controlled by the MASTER (left) channel. Any adjacent three channels or two stereo pairs can be linked in this way for use in any conceivable situation where linking may be required. -> LED Displays : Drawmer´s familiar tri-colour LED display is once again utilized as the optimum method for indicating the envelope status for each channel. -> Input/Output : The DS404 is provided with balanced inputs and outputs on XLR connections.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Drawmer Ds501
1.075,20 €
Reduziert
777,00 € *
ggf. zzgl. Versand

The DS501 is a sophisticated dual channel noise gate with fully tuneable ´Peak Punch´ incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. -> ´Tuneable´ Peak Punch -> variable high pass and low pass filters for frequency conscious gating -> comprehensive envelope control, attack, hold, decay, and range -> key input for external triggering -> key listen facility -> extremely fast attack time, to preserve the natural attack of the sound -> balanced inputs and outputs -> stereo linkable -> can be used for Gating or Ducking -> high audio specificationPositioned in the Drawmer range over the industry standard DS201 Dual Gate, the DS501 Power Gate features a new dual mode ´tuneable´ Peak Punch processing section on each channel. In tuneable mode a fully variable frequency selector with a range from 75Hz to 16kHz allows the user to shape the transients of the gated signal and ´tune-in´ to the particular area of the audio spectrum where the Peak Punch is to be active. In addition a variable ´more´ control allows the user to tailor the amount of processing. A secondary Full Band Peak Punch mode is also available.Designed principally for drum and percussive gating applications, tuneable Peak Punch makes it possible to add transient punch to frequencies lacking in individual drum sounds, adding greater definition and presence to the gated signal. Using low frequency Peak Punch adds depth to thin drums, whilst higher frequency Peak Punch can dynamically emphasise rim shots or the ´crack´ of a snare drum. Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined.The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum.The very fast attack of the DS501 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise.Another important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS501 ideal for this application.The unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb.Each channel can be individually switched from Gating to Ducking for ´voice over´ applications or the removal of ´clicks´ and ´pops´.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Samson S-com 4
226,80 €
Sale
157,00 € *
ggf. zzgl. Versand

The S com 4 is a compact and versatile single-rack space device that provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel.The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control as well as a switch for fast or slow release times.The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S com 4´s Enhancer switch restores high frequencies that are sometimes diminished by heavy compression. This wide-ranging combination of features makes the S com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Dbx 166xs
210,00 €
Rabatt
150,00 € *
ggf. zzgl. Versand

Die Integration des dbx 166xs Kompressor / Limiter / Gate mit Bühnen- oder Studiogeräten ermöglicht einen einfachen Zugriff auf professionellen Sound. Der Kompressor steuert unerwünschte Pegelanstiege, erhöht den Sustain eines Gitarrensounds oder erhöht den eines Drum. Es ermöglicht auch die Platzierung einer Stimme im Vordergrund des Mixes für mehr Klangklarheit. Das Broadcast-System wird durch den PeakStop-Limiter geschützt, um zu vermeiden, dass der Pegel überschritten wird, der durch Transienten festgelegt wurde, die Ihre Geräte beschädigen könnten. Der Overeasy-Kompressionsprozess und die AutoDynamic-Automatik (einzigartig für die dbx-Kompressoren) verleihen der Kompression einen flexiblen und musikalischen Charakter ohne irgendwelche Nebenwirkungen. Der 166xs kann im Stereo- oder Dual-Mono-Modus arbeiten und verfügt über RMS-Pegelerkennung. - XLR symmetrische Ein- und Ausgänge - Neue Schaltungen zur Optimierung der Rücklaufzeit - OverEasy-Schaltung ermöglicht signifikante Kompression ohne Nebenwirkungen - Expander / Gate adaptiv zur Signalcharakteristik - Getrennte Anzeige von Verstärkungsreduktion, Kompression und Tor für schnelle und genaue Einstellungen - Separater Detektoreingang ermöglicht die Kontrolle der Kompression durch einen externen Prozessor - Stereo- oder Dual-Mono-Betrieb - Gate-Schwelle einstellbar über einen Bereich von 70 dB KOMPRESSOR - Schwelle: -40 dB bis +20 dBU - Art der Erkennung: OverEasyy oder Hard Knee - Kompressionsverhältnis: variabel von 1: 1 bis: 1; 60 dB max - Attack-Zeit: signalabhängig: 3 bis 340 ms für 15 dB Reduktion - Rückkehrzeit: abhängig vom Signal; 200 dB / Sek. Bei 3 dB / Sek EXPANDER / GATE - Schwelle: bis zu 15 dBu - Bericht: 10: 1 - Max Dämpfung: 60 dB - Angriffszeit: <50 ?s - Rückkehrzeit: einstellbar, 30 ms bis 3 s (bei 30 dB Dämpfung) LIMITER DES WAPPENS - Schwelle: 0 bis +20 dBu SPEZIFIKATIONEN: Eingänge: - Max Eingangspegel: +24 dBu Ausflüge: - Maximaler Ausgangspegel: +20 dBu (600 Ohm) - Frequenzgang: 20 Hz-20 kHz, +0, -0,5 dB, 0,35 Hz-135 kHz, +0, -3 dB - Verzerrung + Rauschen: <0;04%; 20 Hz - 20 kHz, jede Kompressionsstufe bis zu 40 dB bei 1 kHz - Dynamikbereich: 115 dB - Übersprechen: -80 dB, 20 Hz - 20 kHz - U-Größe: 1U - Abmessungen: 17,15 x 48,3 x 4,5 cm - Gewicht: 2.29

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Dbx 266xs
138,00 €
Sale
117,00 € *
ggf. zzgl. Versand

Dynamic-Signal EXPANDER / GATE - Schwelle: j-60 bis +10 dBu - Bericht: 1: 1 bis 4: 1 - Angriffszeit: 114 dB, ungewichtet - Übersprechen: <-95 dB, 20-20000 Hz - U-Größe: 1U - Abmessungen: 14,6 x 48,3 x 4,5 cm - Gewicht: 2,19 kg

Anbieter: Woodbrass.com
Stand: 29.04.2019
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Samson S-com Plus
190,80 €
Sale
132,00 € *
ggf. zzgl. Versand

The S com plus is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. It is intended for situations where extra flexibility is required to optimize signal levels. It delivers essential control along with simplicity of operation. S com plus´s comprehensive and wide-ranging controls provide extensive manipulation of audio dynamics, even in the most complex situations.Each channel features a wide range of variable control. A feature-rich Compressor section includes variable Threshold, Ratio, Attack and Release controls. Samson´s SKD (Smart Knee Detector) circuit dynamically adjusts the compression curve to ensure a musical result. Our exclusive AEG (Auto Envelope Generator) function simplifies optimum settings by constantly analyzing the audio input and automatically adjusting the attack and release parameters based on the changing level. Key Inputs and Outputs are included for externally processing the control voltage.The Expander/Gate features a variable threshold level and switchable release time (fast or slow). The Gate switch changes the downward expander ratio from light to hard gating for control ranging from subtle to an obvious effect. A dedicated Peak/Limiter with variable control provides protection against peak and overload independently of the compressor. When used in combination with the Compressor the Peak/Limiter offers even more precise control over dynamic levels.A functional De-esser improves audio quality by removing S from vocals and sibilance from overly bright signal sources such as cymbals. The Enhancer switch engages the EFR (Enhanced Frequency Recovery) circuit, which restores high frequencies that are sometimes diminished by heavy compression. Extensive metering includes Input/Output, Gain Reduction, De-esser Level, Gate Open/Close and Limit. Other S com plus features

Anbieter: Woodbrass.com
Stand: 29.04.2019
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